Alex (Brunt) and Meg (Joanne Mitchell) are having marriage problems, and in an attempt to save their union have left the kids with Meg's mum, Eileen (Eileen O'Brien) and rented a cottage away from it all in the middle of the Yorkshire moors. Alex is trying desperately to have Meg to himself, even hiding her phone as the constant interruptions threaten their peace. When she goes out jogging and is attacked and bitten by what seems to be a rabid stranger, any thought of peace goes out the window as it becomes apparent that all is not right with the outside world.
The film marks Brunt's directorial debut and he does a fantastic job of creating a believable, real world scenario juxtaposed with a horrific zombie apocalypse. Hints that something is wrong are given from the very beginning; a distant scream, an abandoned car, but they are more than just clumsy plot pointers, they ease us into the nightmare scenario. The undead threat here are of the 28 Days Later rage filled variety - with a neat little twist in that they appear dormant until roused by anything nearby - and are truly terrifying. Alex's first encounter with one in the garage is brilliant - tense and exciting. An interesting development brought in later in the film (as well as plenty of exposition) by a cameo from Shameless star Nicky Evans (who looks like he's been transported from the set of a 70s grindhouse film) causes Alex to make a decision that can only be made by a man so desperate to save what he can of his life. Had this just been a regular marriage in crisis film it would have been powerful enough, the added zombies and gore (of which there is a surprisingly large amount) amps the tension. It is probably the scariest zombie film for a while, and it doesn't fall for the cliches of "oh here's a gun - blam! blam!" What we have here is more akin to kitchen sink horror, those involved have never had to fight for their lives before so wielding a weapon is not second nature.
The music compliments the visuals perfectly, idyllic then aggressive when it has to be, and everyone involved should be very proud and happy with the result. While I can't see it being a crowd pleaser (it is far too downbeat for that) it deserves a major release and success.
Grimmfest: Brunt, Evans, Mitchell and digital FX man Neale Myers |
9 out of 10
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