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Sunday, 25 January 2015

Short Film Review: POSTPARTUM (2015) Directed by Izzy Lee

Izzy Lee is no stranger to this blog, having reviewed two of her earlier shorts, Legitimate (2013) and Picket (2014). Both of those films contained a strong sociopolitical message and earmarked Izzy as a director to content with in the future. With her latest short, Postpartum she points the lens at another important issue, but yet again, given a macabre and sinister twist.
Diana (Diana Porter) hasn't seen her friend Holly (Kasey Lansdale) for months; with calls unanswered and deeply worried, she heads over to her apartment to see what's wrong. An eviction notice is taped to the front door. Even more concerned now, she hammers on the door, until Holly opens up. She’s angry at all the noise, and is looking incredibly dishevelled; it’s as though she hasn’t slept in a while. It transpires that her baby is sick; “Baby?” Diana clearly didn’t know her friend was expecting. She’s even more concerned when Holly winces – holding her head as if attempting to block out some agonising noise – then looks up, with maniacally glazed eyes, “He’s stopped”. Diana sees the room has been ransacked, and there’s a putrid smell which has her gagging. She’s clearly concerned for the welfare of the baby as well as her friend, who is obviously very unwell too.

As it’s only a seven minute film, it’s not really fair to divulge much more of the story. You could probably guess certain elements anyway, particularly given the title. What you won’t guess is how twisted it gets, and there’s more than a few shocks in store along the way within the brief running time. 
With an remarkably immersive sound design (thanks to all-rounder Bryan McKay – who also handles the fluid and natural cinematography), and complementary score by Shayne Gryn, which is never overpowering or obvious, it’s a joy to watch no matter how grim and disturbing the subject and visuals are.
Izzy Lee is part of a new breed of horror directors (who, I’ve no doubt, could also turn their hands to other genres too) coming up at the moment. What’s brilliant, and purely co-incidental, is this young blood are mainly female. Alongside now-established talent such as the Soska Sisters, we have directors such as Izzy, Maude Michaud (Dys-), Jill Sixx Gevargizian (Call Girl), Jennifer Kent (The Babadook), among many others who form this new breed of director who are making this genre exciting again. Gender is irrelevant, as it should be, and these filmmakers are pulling no punches with what they are depicting on screen. 
If there’s any sense and justice in the world (yeah, I know there isn’t, but I can hope) film festivals the globe over will pick up Postpartum to add to their roster. With many more projects in the pipeline for release later this year, and after being fundamental in the fundraising for the bronze bust of Edgar Allan Poe that now proudly sits in the Boston Public Library, Izzy Lee is going to be a name you will be hearing more of, and for all the right reasons. In the meantime, sales of clingfilm will be going through the roof...

8 out of 10

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Sunday, 22 December 2013

Blu-ray review: Good Luck, Miss Wyckoff (1978) Donald Pleasence, Anne Heywood

Note: this is a difficult film to discuss without including some spoilers, so proceed with caution.
Set in 1956 in the ironically named Freedom, Kansas, where race relations and Communism are very much on the agenda, even at the school Miss Evie Wyckoff (Anne Heywood, L'assassino... è al telefono, 1972) works. She has campaigned for the rights of the black students, and stands up for a teacher threatened with the sack for teaching Karl Marx in his modern history class. She is also deeply depressed, not sleeping and breaking down in tears all the time. Her doctor (Robert Vaughn) informs her, that she is suffering early menopause. Being only 35, this comes as a shock, even more so in that she has never been with a man. He recommends her to see a psychiatrist, Dr. Steiner (the ever wonderful Donald Pleasence) in Wichita, which she does, but also that she should take a lover; "nature wants us to use our bodies, if we don't, they dry out"
good luck, miss wyckoffgood luck, miss wyckoff anne heywood
Her long journey to see him involves a bus ride, and the driver Ed (Earl Holliman) takes a shine to her, and the pair eventually have a coffee together. Despite being married with a child, he wants to have an affair with her. She is reticent, but tells the psychiatrist all about it. Her sessions are going well, and her life seems to be getting back on track. She treats herself to some fancy lingerie, and decides to take Ed up on his offer, only to find he has quit, left his wife and left the town. Rather than being set back by this, she takes it well, much to Dr. Steiner's joy "maybe you're liking yourself a little more".
good luck, miss wyckoffgood luck, miss wyckoff
After successfully changing the minds of the school board on the issue of the teaching of Marx, she is feeling content and relaxed for once. It is at this point one of the black students, Rafe (John Lafayette, The Terror Within, 1989)  - on a scholarship at the junior college but made to work as at the school as a janitor) begins to act inappropriately while cleaning her room. This makes her uncomfortable, but she doesn't make a big deal out of it, until the next time, when he goes too far and rapes her. It's a brutal, shocking scene coming as it does after the majority of the film has been moderately sedate. While she tries to avoid him for the next day or so, he eventually finds her alone again, and once again forces himself on her. However, despite his forcefulness she succumbs and enjoys their second encounter. Her body giving in to what she had 'been missing' for so long. This is fine for a while, but then he begins to be abusive as well as demanding. Degrading her, and finally maiming her. Eventually, the rest of the school finds out and her world falls apart greater than it ever had before.
good luck, miss wyckoffgood luck, miss wyckoff robert vaughngood luck, miss wyckoff donald pleasencegood luck, miss wyckoff
Based on the novel by William Inge (Bus Stop, Splendor in the Grass) and ably directed by  Marvin J. Chomsky (Evil Knievel, 1971) this is a storming, emotional tale of small town bigotry and emotional abuse. The main cast, Heywood especially, are superb and the rest of the cast includes Carolyn Jones (Mortica Addams herself), Dorothy Malone (Peyton Place) and Jocelyn Brando (Marlon's sister, and Bubba's mother in Dark Night of the Scarecrow, 1981), who are all exemplary. Pleasence is perfect as the psychiatrist, whose methods border on the seductive, seemingly to relish the virginal teacher's sexual awakening. Yet, like the rest of those around her is no-where to be seen when she needs him the most. The handling of the subject matter, despite it being marketed as an exploitation film in some markets, is actually very sensitive, despite the use of some words which are unacceptable now (well, unless you're a rapper or Quentin Tarantino, of course). The rape scene is powerful and upsetting, especially since we've just spent the best part of an hour getting to know the lovely Miss Wyckoff, but it's the abuse she allows herself to endure which is more shocking and distressing. Rafe is clearly an angry young man, using the vulnerable teacher to get back at a society which has downgraded his kind for far too long. However, the shame the teacher feels when she is abused by this young man is enough to make her keep quiet about the incident. She was raped, after all. A crime which should go punished. Yet rather than have the world know, she puts up with it, eventually becoming compliant, even - dare we say - enjoy the physical contact she has denied herself for so long. It is only when the truth comes out that her world really falls apart. And the double standards of the system really come into play. The boy would be missed from his high school football team if he was expelled, so it is the innocent Miss Wyckoff who must shoulder the blame and shame of it all.
 good luck, miss wyckoffgood luck, miss wyckoff
good luck, miss wyckoff
 Vinegar Syndrome have once again come up trumps with this release. The main Blu-ray disc looks great, with just a hint of crackle and hiss, but does show up the suspect re-dubbing in some scenes (no fault of the disc, obviously). The accompanying DVD also includes the heavily-cut, but more exploitative version, The Sin, which runs just under 80mins compared to the main feature's 116min. Cut are a large chunk of the first rape, the following scenes of degradation and an important scene in which Miss Wyckoff is maimed and then found out by some passing kids who hear her screams. There are also trailers and TV spots and a short interview with Shirley Knight, about the author Inge. Topping the set off is a separate soundtrack CD of the evocative Ernest Gold (Cross of Iron, 1977) score . A top-notch package for a difficult film, but that's what Vinegar Syndrome seem to do best. Their previous Blu-ray releases; a superb set of rare HG Lewis sexploitation flicks, Massage Parlor Murders! and The Telephone Book are all worth checking out. I aim to purchase their release of Russ Meyer's Fanny Hill asap and have their Night Train To Terror disc in my "to view" pile
good luck, miss wyckoffgood luck, miss wyckoff
 good luck, miss wyckoff carolyn jones
A troubling, disturbing film but very thought provoking which handles the material so well it'll stay with you for some time.Highly recommended.
8 out of 10


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Tuesday, 17 January 2012

Famous Graves: Sylvia Plath

Hebden Bridge
Hebden Bridge
So I had a day out in Hebden Bridge and took the short trip to Heptonstall to find the grave of the poet, Sylvia Plath. One time wife of Ted Hughes, and famous for her eventual suicide, her confessional poetry has long been held in high esteem, although I personally am not a fan. The inscription, added by Hughes, reads "Even amidst fierce flames the golden lotus can be planted"
However, one of the little hobbies I use to ease my own depression (rarely successfully) is cemetery photography (I would love to get more into portraits but I am not the best "people person" and angels on gravestones don't move and talk back).
Below are some of the photographs taken at Heptonstall Church. Plath's grave is in a newer plot of interments, and there are two other older graveyards adjacent, a  church built after 1847 when the old church - originally built in 1260 - was left to ruin when it was damaged by gales. The ruins that remain are stunning, and worth the visit to this lovely little village on their own. Apparently Danny Boyle's BBCTV drama Mr Wroe's Virgins (1993) was filmed there, I shall have to dig out a copy and check for myself.
I'm glad I took the short bus ride up though, as it's a very steep walk, only about half a mile but it would have wrecked my legs!

Sylvia Plath gravestone closeup

Heptonstall
Heptonstall

Heptonstall church


sylvia plath grave suicide



sylvia plath grave bell jar


syliva plath grave

sylvia plath grave
Enjoy the photographs, I may start to include more of my cemetery photography in time.

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